These pioneering films revolutionized the world of Tamil cinema

Here is a list of movies that changed the story around South Indian movies.

Veedu narrates the difficulties faced by a lower middle class family in trying to build their new home.

There was a time in Tamil cinema when formula films had only songs and fight sequences. These films had cliché storylines that did not offer anything new. This pattern was created by Balu Mahendra and J. Directors like Mahendran broke. Balu chose men from ordinary and marginalized backgrounds as protagonists for his films. This use of sand was appreciated by the audience as his films instilled a sense of hope and faith in the hearts of the common man. Here is a list of movies that changed the story around South Indian movies.

Vidu

Veedu narrates the difficulties faced by a lower middle class family in trying to build their new home. Starring Archana, MA Chokkalinga Bhagavatar and Bhanuchander, Veedu was directed by Balu Mahendra after he drew inspiration from watching his mother struggle to build a new home.

mullet apple

Released on 15 August 1978, the film was directed by J. Mahendran and was based on a novel of the same name by Uma Chandran. The film was a huge success with 100 days of theatrical run. Rajinikanth’s performance was praised.

With the passage of time, directors came forward to make films that were a mix of realism and commercial aspects.

ghillie

Ghilli was directed by Dharani and narrated the story of Velu, an aspiring kabaddi player, who rescues a girl from Muthupandi, a powerful man who was forcing her to marry him. The film was a huge success and was praised for the amount of realism portrayed in the story.

Prakash Raj won the Filmfare Award for Best Villain. Vijay’s performance was also appreciated and he was nominated for the Filmfare Award, Best Actor category. Some scenes from the film have been preserved till date.

The new wave of directors has grabbed attention with some really interesting scripts, sometimes even better than the story itself. In that new wave of directors, Karthik Subbaraj, Nalan Kumarasamy, P. Ranjit and Balaji Mohan.

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