Sita, Adipurush, Myth: Filmmakers give a contemporary touch to Indian mythology

Mythology binds past, present and future. It is also a bridge between the divine and the human and is our only way to connect with the rich traditional heritage that has been given to us through the centuries in a textual and interpretive manner.

While the new generation seeks ways to keep the spirit and significance of our heritage alive, filmmakers are coming up with contemporary ways to preserve and present our mythical heroes and demons. The mythology genre has primarily been active in television and continues to attract audiences today. Now, Bollywood too is invested in reviving the genre for the big screen and audiences across the globe. The biggest names of the film industry are being roped in to widen the canvas not only in India but across the globe. At the same time, the use of cutting-edge technology appears to have an inherent promise in the presentation and style of large-scale projects.

Prabhas and Saif Ali Khan starrer Aadipurush, one of the most awaited films to come, is a modern day retelling of the epic Ramayana. Om Raut, whose vision that propelled Tanhaji: The Unsung Warrior, a VFX heavy film, to huge success, will be sure to use the best of technology for this massive project.

Not only the visual effects department, Adipurush will also be expected to break new barriers in the interpretation of the story. The announcement post of the film indicated that Raavan, played by Saif, would be given prominence. “The world’s wisest demon existed 7000 years ago,” read a short brief description of Ravana’s character, while Adi Purush hinges on the battle between good and evil.

On the other hand, Sita: Avatar has been announced recently with Kangana Ranaut in the lead role of the Hindu goddess. This will also be the first time that mythology will be presented from the perspective of a female protagonist. One can expect to touch on new aspects of Sita’s role in mythology, beyond her exile and abduction by the demon Ravana.

Amar Ashwatthama with Vicky Kaushal is based on the Mahabharata character of Ashwatthama, who has been a lesser known face in the Hindu epic. What the film relies on in terms of story is not known, but there could certainly be an anti-hero look at the state of affairs. Ashwatthama will be the first time that the mythological and superhero genre will blend. It was initially described by the makers as, “Raising the bar for the superhero genre not only in India but across the globe, it is a high-concept visual spectacle in the making of the film.”

Then, the big budget Mythoverse is expected to reach a global audience and incorporate new elements into the storytelling. It is also the first Hollywood-like cinematic universe to be officially announced in India and will present our rich culture to a global audience. Producer Madhu Mantena has confirmed that initially the three-titled film series will have a budget of over Rs 600 crore. Hearsay Since it is a pan-India project, the biggest names of the South film industry are also being considered, even Mahesh Babu.

Deepika Padukone is playing the character of Draupadi in Mahabharata. This is another film based on a female protagonist in Hindu mythology. Draupadi has been a symbol of tolerance and sacrifice and from her point of view a potential film is much needed in today’s times. It can also be very influential for future generations.

Not only do these confirmed film announcements, the film titles and character names also have a mythological bent. In RRR, Alia Bhatt’s character is named Sita and her first look shows a pious and pious Alia, who is almost divine.

Kartik Aaryan will be seen in a romance film by director Sameer Vidwans, earlier titled Satyanarayan Ki Katha, a direct reference to Lord Vishnu. Now, the title of the film has been changed, but it generated a lot of interest initially.

Scam 1992 fame actor Prateek Gandhi’s latest film till recently was titled Raavan Leela, a direct reference to the character from Ramayana. Such titles not only provide an instant engagement with the audience but surely pique a curiosity as well.

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