“I believe K-pop still has a place in the West,” he began and asked, “is it possible corporations are making BTS so hard because it’s not working? Too big a corp for it. The impetus is the K-pop model of cultural creation will work here”
In a series of tweets, he claimed that the band’s global success was backed by corporates, saying, “The music industry filters out what’s popular and corporations follow it, but it’s risky to reason that a non-fiction is a hit.” The popular artists produced can be dangerous and difficult to control. Or predict.”
Hi @Mat_Zo! Here’s a white girl from Southeast America and I love K-pop and I have many favorites besides BTS. Meenav… https://t.co/WE2Hf1JgZo
— Amber LV (@TheAmberLampz) 16286140000
sharing your observation bts army On the Twitter handle, he said, “And it’s doubtful that every K-pop stan on the Internet has an anime character for their profile picture…”
“Not saying they’re not real, but it adds to the fake vibe of it all.”
He also criticized the K-pop industry for “controlling” its artists and linked it to Disney. mickey mouse club. He tweeted, “The problem Disney The Stars era wasn’t easy to sustain or maintain without public backlash, whereas K-pop stars have every aspect of them in composition control and everyone knows and nobody cares.”
“K-pop does not hide the fact that it has been created by framing children as cultural icons,” he wrote.
The band’s fans and supporters insulted him, calling his statements racist. Some even ditched his tweets from years ago and said he was a racist. Following the backlash, he apologized to the band, stating that he “never intended to hurt or offend anyone.” He also announced that he was “moving away from social media” to reflect on his actions.
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